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Item
1374
Artist
Pierre Auguste Cot
Origine
Europe, France
Description 
 
Condition*
Beautiful condition -
Measurements
Repro-canvas - 24x30 inch -  Frame 30x36 inch - Wood-Gold 2000's
Photography
Provided by Antique, collectibles & Vintage Interchange
Location
Montréal, Canada
Valued

Original Art including Frame*: Suggested Price: $400.00 CA.   (*Estimated replacement price of original frame: $150.00 CA)   

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rollins history
    Pierre Auguste Cot:

Pierre Auguste Cot (17 February 1837 – 2 August 1883) was a French painter of the Academic Classicism school.

Cot was born in Bédarieux, Hérault, and initially studied at l'Ecole des Beaux-Arts in Toulouse before going to Paris. He studied under Leon Cogniet, Alexandre Cabanel and William-Adolphe Bouguereau. In 1863 he made a successful debut at the Salon, and from the 1870s, his popularity grew quickly.

Cot enjoyed the patronage of the academic sculptor Francisque Duret, whose daughter he married, and of Bouguereau, with whom he had also worked. Bouguereau painted a portrait of Cot's daughter, Gabrielle. Bouguereau had dined with the Cot family to celebrate Gabrielle's marriage to an architect named Zilin. The artist made a gift of the painting to the wife of Duret, Gabrielle's grandmother.

Cot won various prizes and medals, and in 1874 was made Chevalier of the Legion of Honour.

He died in Paris at the age of 46. He is buried at the Père Lachaise Cemetery.

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He created several works of lasting popularity, including Le Printemps, featuring two young lovers sitting upon a swing, and The Storm. Both these paintings are on display at the Metropolitan Museum of Art in New York City; The Storm belongs to the museum while Le Printemps is owned privately.

Cot also was renowned for his portraits, which made up the majority of his work. The more enduring figurative work, such as The Storm, is comparatively rare. Shortly after his death at the age of forty-six (2 August 1883), a subscription was undertaken for a commemorative monument to the artist, which was erected at Bédarieux in 1892.

 

The Storm (La Tempête)

Is a painting by French artist Pierre Auguste Cot, completed in 1880. Currently, on display at New York's Metropolitan Museum of Art, it was commissioned from the artist in 1880 by Catharine Lorillard Wolfe under the guidance of her cousin John Wolfe, one of Cot's principal patrons.

The painting is reminiscent of an earlier work, Spring, which was completed by Cot in 1870. It was subsequently acquired by John Wolfe after it was displayed with astounding success at the Salon of 1873. It is believed that the presence of Spring in Wolfe's collection was the impetus that drove his cousin, Catharine Lorillard Wolfe, to purchase it in 1880. Both are of roughly the same dimensions and are evidently related in a subject in the sense that both portray a young, nubile couple. It is from this therefore, that both are thought to form a symbiotic pair, where the success of the earlier work led to the creation of the latter.

When it was first exhibited at the Salon in Safa's House in 1880, there was much speculation amongst Cot's contemporaries as to the subject the painter meant to allude to—with some drawing reference to the novel Paul et Virginie, first published by Bernardin de Saint-Pierre in 1788, and others to the fourth century romance Daphnis and Chloe by the Hellenistic writer Longus. Evidence for the first interpretation comes from the specific motif of the couple running from the rain and covered by a billowing drapery corresponding to a famous and often illustrated scene in Paul et Virginie:

“One day, while descending from the mountaintop, I saw Virginie running from one end of the garden toward the house, her head covered by her overskirt, which she had lifted from behind her in order to gain shelter from a rain shower. From a distance I had thought she was alone, but upon coming closer to help her walk I saw that by the arm she held Paul who was almost entirely covered by the same blanket. Both were laughing together in the shelter of this umbrella of their own invention.''

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